Tag Archives: Paintoems

INCARCERATION NATION

My country
is still not free
This sordid land
of hypocrisy
Of thee I sing
Land where my fathers died
Land where the slaves did cry
on every mountainside
Prisons reign supreme

About Paintoem
Poem by: C-Note
Painting by: C-Note

Incarceration Nation is an original work of ink, graphite, and wax on paper. Done by Donald “C-Note” Hooker in 2017. The painting was inspired by the Millions for Prisoners Human Rights March in August of 2017, and is the sequel to his first political work Black August-Los Angeles. The red dots represent the location of the state sanctioned deaths of: Travon Martin in Florida; Michael Brown in Missouri; Sandra Bland in Texas; Philando Castile in Minnesota; Freddie Gray in Maryland; Ezell Ford, Wakiesha Wilson, Central California Women’s Facility (CCWF) & Oscars Grant in California; and Charleen Lyles in Washington State. The poem written later in the year was inspired by the NFL players “Knee Protest.”
” I was looking at other iconic American verbal expressions of patriotism,” says C-Note. “And My Country, Tis of Thee, also known as ‘America,’ is probably third on that list. The creative juices to create the poem had nothing to do with the painting; however, together they make an excellent one-two punch, as a political work of art.”
The painting Incarceration Nation was given to the California Prison Focus as a donation. However, you can still buy prints of this piece, and other related products, at Fine Art America

[Editor’s Note ]: This Paintoem, like all Paintoems, are given to the public, to have free use rights, so long as acknowledgement is given to the artist(s).

Links to other Paintoems:
Mprisond
My Dilemma
Tears of the Mothers
Black August-Los Angeles
More Paintoems

Incarceration Nation (Paintoem) available in prints.

California Prison Focus is a 501(c)3 non-profit whose work as a prisoner’s news source needs generous public support. Click here to their website’s donation page

California Prison Focus • 1904 Franklin St • #507 Oakland, CA 94612 • contact(at)prisons(dot)org • (510) 836-7222

MR. WARDEN

They call me Mr.Warden
and in my mansion
there are many rooms
Rooms of despair
where nobody cares
If you live or die
Where nobody cares
if you scream or cry
So addicts beware
the high you receive today
Will be the low
I’ll give tomorrow

About the Paintoem
Poem by: Donald “C-Note” Hooker
Painting by: Donald “C-Note” Hooker

“I tell people all the time how important your sketch pieces can be,” says C-Note. “The painting is an unfinished work. The poem, I was thinking about addicts, addiction, and A.A., and how if drug use don’t kill’ya; you’ll likely end up in here.”

[Editor’s Note ]: This Paintoem, like all Paintoems, are given to the public, to have free use rights, so long as acknowledgement is given to the artist(s).Links to other Paintoems:
Mprisond
My Dilemma
Tears of the Mothers
Black August-Los Angeles
More Paintoems

Mr. Warden (Paintoem) available in prints.

STRANGE FRUIT

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California
is the place to be
Fun living
is the life for me
Spacious places
far and wide
Except at C.I.W.
home to women suicides

About the Paintoem
Poem by: C-Note
Painting by: C-Note

We create monsters
of ugliness
but we’re scared
to look at
our own creations.
—-C-Note

Strange Fruit, is an original work of wax on paper; made in the form of a collage. Done by Donald “C-Note” Hooker in 2017. “When I had to do an expedited visual work for the Paintoem, Life Without the Possibility of Parole, I used an image from a magazine, but drew the background,” says C-Note. “I have a push, or thirst to bring attention to women issues. That’s what Life Without the Possibility of Parole is about. Strange Fruit, is to draw attention to a report that I read in the October 2016, edition of the San Quentin News. It stated, ‘During an 18-month period in 2014-15, the suicide rate at the California Institution for Women (C.I.W.) was eight times the national average for women prisoners and five times the rate for the entire California prison system.’ When I did Life Without, there was an aesthetic there. This was from a fashion magazine. This was of a white woman, a young white woman, on a very serious subject. I say to myself, ‘Hey, much support in the prisoner rights movement comes from older white women in the Catholic Church. This is an image of them. They see their younger selves in her. Promote the $#@! out of this work.’ I could have used that same racial device in Strange Fruit. With Life Without, it was about the aesthetics. It was about the shape of that image in the magazine. Later on, I realized how I could use race to my benefit. That device really did not go unnoticed to me when doing a work on women suicide. But I couldn’t play on white populism; I had to speak the truth. So a black woman had to be used. Blacks out number all the other races combined in incarceration. There are lots of ways of committing suicide, but I think the hanging is the most salient in our human conscious. That being the case, that brings in Strange Fruit. Strange Fruit is the title to a song, sung by Billie Holiday. The tener of the song is about all this strange fruit hanging from these trees in the South. What was this strange fruit? Nooses around the necks of dead African-Americans. That’s why the piece is entitled ‘Strange Fruit.’ That’s why there’s a noose around her neck. Why a collage? Because I had discovered with Life Without, collages create a certain depth perception. The poem, is a play on the CBS television show Beverly Hillbillies. ‘California/is the place to be/Fun living/is the life for me…’ In Black intelligentsia, and its grass roots also, they have really latched onto Michelle Alexander’s seminal work, The New Jim Crow (Mass Incarceration in the Age of Colorblindness. So here is her thesis, that 21st Century mass incarceration, and post incarceration reentry, looks very similar to 20th Century Jim Crow laws in the deep South. People generally agree with her thesis, and actively use the siren call end the New Jim Crow. Incarcerated blacks even started the Neo Jim Crow Art movement, to which this piece is a part of. I hold up Sandra Bland as our 21st Century’s Emmett Till. Emmett Till, like Sandra Bland was a fellow Chicagoan who went down South. Emmett allegedly in 1955 made a whistling sound in the general area of a white woman. He was only 14 years of age. He was bludgeon to death. His mother, from the North (Chicago), wanted an open casket burial to which a Jet Magazine photographer snapped a picture of his gruesome remains. It was the shot (photo shoot), heard around the world. Well, I’ve been holding up Sandra Bland to go with the theme of this work. She is our 21st Century version of Emmett Till. What was her offense that caused her to lose her life? It started with a traffic stop; whose legitimacy is dubious at best. But an officer who physically feels the need to pull a motorist out of their car for smoking a cigarette? An activity that is associated with a high degree of stress, to which this encounter with this law enforcement obviously was. But I think anytime a person comes in contact with law enforcement, and especially an African-American with a white officer, it is very harrowing; because an African-American never knows where this thing is going. And Ms.Bland allegedly or apparently committed suicide while in a jail holding cell for a nonsensical lane change violation. To which the officer was fired as a result of this incident. In certain activist circles, it’s common to hear women say, ‘Prisons were not designed or intended for women.'”

Strange Fruit is still retained by C-Note until he can find a party interested in the work. However, you can still buy prints of this piece, and other related products, at Fine Art America

[Editor’s Note ]: This Paintoem, like all Paintoems, are given to the public, to have free use rights, so long as acknowledgement is given to the artist(s).

Links to other Paintoems:
Mprisond
My Dilemma
Tears of the Mothers
Black August-Los Angeles
More Paintoems

Strange Fruit (Paintoem) available in prints.

EYES WITHOUT A FACE

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Why
condemn Her
To life without the possibility of parole
Why
condemn She
When societal forces may have played a role
Why
condemn Them
The 175 women
serving life without the possibility of parole

About the Paintoem
Poem by: C-Note
Painting by: C-Note; JoJo WhildenNetflix

Eyes Without A Face by Donald “C-Note” Hooker is the prequel to the Paintoem, Life Without the Possibility of Parole.
“Apparently I had already written a poem for that Paintoem that I wasn’t aware of,” says C-Note. “I felt this poem published by itself is bland. So I had to come up with an image. I used a photo from Orange is the New Black, whited out their faces on the theory of the nameless-faceless people. I’m working on another piece in which the piece’s title comes from a classic song. I left the eyes for Billy Idol’s, song, Eyes Without A Face, and that would represent the nameless-faceless 175+ women serving a prison sentence of Life Without the Possibility of Parole (LWOP), at the Central California Women’s Facility (CCWF).

[Editor’s Note ]: This Paintoem, like all Paintoems, are given to the public, to have free use rights, so long as acknowledgement is given to the artist(s).

Links to other Paintoems:
Mprisond
My Dilemma
Tears of the Mothers
Black August-Los Angeles
Life Without the Possibility of Parole
More Paintoems

Eyes Without A Face (Paintoem) available in prints.

LIFE WITHOUT THE POSSIBILITY OF PAROLE

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Her name is K
at 23 she was told
She’s a throwaway
Life Without the Possibility of Parole
A walking zombie
without a soul
She begged and begged
for a new life
But spending rehabilitation dollars on her
made no cents

About The Paintoem
Poem: by C-Note
Painting: by C-Note

Life Without the Possibility of Parole (LWOP) is a work that was created by Donald “C-Note” Hooker to draw attention to the 175+ women imprisoned at the Central California Women Facility (CCWF), who are serving a sentence of LWOP. These women are deemed unworthy of any State spending regarding rehabilitation. Eventho it is not uncommon that for some, this sentence will be commuted to life with the possibility of parole. This urgent, urgent, matter, first came to the attention of the artist in the 2016 Summer publication of California Prison Focus. “First I created the poem,” says C-Note. “It can take a very longtime to create a visual, so I started making collages, as a way to create a visual more expediently. My first use of this methodology, was for the poem, ‘It Must End! (BLACK FEMALE BOYCOTTS AGAINST BLACK MEN IN THE PEN).’ The poem is based on a real life story.”
Life Without the Possibility of Parole is still retained by the artist. However, you can still buy prints of this piece, and other related products, at Fine Art America

[Editor’s Note ]: This Paintoem, like all Paintoems, are given to the public, to have free use rights, so long as acknowledgement is given to the artist(s).

Links to other Paintoems:
Mprisond
My Dilemma
Tears of the Mothers
Black August-Los Angeles
More Paintoems

Life Without the Possibility of Parole (Paintoem) available in prints.

BLACK AUGUST-LOS ANGELES

1-black-august-los-angeles-cn

Shot down in cold blood
it was the blood of a Jackson
and I don’t mean Michael
that calls us to action
Our epiloguest
Right after Juneteenth
Black August

ABOUT THE PAINTOEM
Poem by: C-Note
Painting by: C-Note

Black August-Los Angeles is an original work of ink on paper. Done by Donald “C-Note” Hooker, in 2016. This piece was inspired by the month long Blck August , celebrations that were taking place in Los Angeles in 2016. He first heard of these celebrations on Think Outside the Cage. This was this artist first attempt at Political Art. It makes reference to Beyonce’s Formation; the death of prisoners, and prison reform activists, George Jackson, and Hugo “Yogi” Pinell. Both men were murdered in prison. Police shooting death victims, Michael Brown, and Ezell Ford. These kind of deaths have reawakened America’s consciousness on it’s criminal justice system, thus prison reform. The California Coalition of Women Prisoners (CCWP), so that the public doesn’t forget we imprison women too. The Los Angeles Women’s Center, to bring public consciousness, and hopefully funding, to a place that provides services and refuge to women, most likely from the same environmental milieu as those who have been, or will become imprisoned. The Raised Fist, a symbol of Black Power during the Civil Rights Movement of the 1960’s. Now a symbol of empowerment during any struggle. And “Mundo Sin Jaulas” (A World Without Cages), in recognition of the Brown People’s Movement. Black August-Los Angeles is still retained by the artist. However, you can still buy prints of this piece, and other related products, at Darealprisonart

[Editor’s Note ]: This Paintoem, like all Paintoems, are given to the public, to have free use rights, so long as acknowledgement is given to the artist(s).

Links to other Paintoems:
Mprisond
My Dilemma
Tears of the Mothers
Life Without the Possibility of Parole
More Paintoems

TEARS OF THE MOTHERS

tears-of-the-mothers-edgar-guerrilla-prince-aguirre

Gunshots
or handcuffs
Mother’s love
not enuff
still got snuffed
or locked away

What’s a mom to do?
Cause if you cry
and post a hashtag
as in Black Lives
you’ll be vilified

If your tears
bring a makeshift memorial
on the sidewalk
they’ll tear it down

Prince taught us
that doves cry
but if you’re poor
or of color
These mothers’ cries
mainstream America
despise
The tears
of
these
Mothers

ABOUT THE PAINTOEM
Poem by: C-Note
Painting by: Edgar “Guerilla Prince” Aguirre

“Tears of the Mothers,” is an original work of ink on paper. Done by Guerilla Prince, in 2015. He donated this work to Father Boyle, of “Homeboy Industries,” in Los Angeles, California. However, you can still buy prints of this piece, and other related products, at Fine Art America

[Editor’s Note ]: This Paintoem, like all Paintoems, are given to the public, to have free use rights, so long as acknowledgement is given to the artist(s).

Links to other Paintoems:
Mprisond
My Dilemma
Black August-Los Angeles
Life Without the Possibility of Parole
More Paintoems